French Film: Text and Contexts looks at classic French films, from the 1930s to the 1990s, providing detailed.
Nursing2022 Drug Handbook by Lippincott Williams & Wilkins.What Does It Mean To Be Chosen by Amanda Jenkins.Each article is accompanied with a guide to further reading and a filmography of the director, and the new edition also includes a fully revised introduction and a bibliography on French cinema. Films discussed include: * masterpieces such as Renoir's La Bete Humaine and Carne's Les Enfants du Paradis * popular classics such as Les Vacances de Monsieur Hulot and Ma Nuit chez Maud * landmarks of the New Wave such as Les 400 Coups and A bout de souffle * important films of the 1990s such as Nikita and La Haine The films are considered in relation to such issues as the history of French cinema, the social and cultural contexts of their production and reception, the relationship with Hollywood cinema, gender politics, authorship and genre. Guy Austin, Contemporary French Cinema (Manchester University Pres, 1996).The second edition of this innovative textbook brings together leading scholars to provide detailed analyses of twenty-two key films within the canon of French cinema, from the 1920s to the 1990s.Michael Temple and Michael Witt (eds.), The French Cinema Book (BFI, 2004).Thomas Elsaesser and Malte Hagener, Film Theory: An Introduction Through the Senses, 2 nd edn (Routledge, 2015).Will Higbee and Sarah Leahy (eds.), Studies in French Cinema: UK Perspectives, 1985-2010 (Intellect Books, 2011).Susan Hayward and Ginette Vincendeau (eds.), French Film: Texts and Contexts (Routledge, 1990).Phil Powrie and Keith Reader, French Cinema: A Student’s Guide (Arnold Press, 2002).Teaching will be delivered through a combination of synchronous sessions and asynchronous activities, including seminars, lectures, and collaborative as well as self-directed learning opportunities supported by tutor consultation. The ability to carry out independent research appropriate to this level of study. Sophisticated audio-visual analytical skills and an ability to use film terminology correctly. Critical awareness of theoretical scholarship in the field of study and the ability to articulate a critical position in both oral and written form as appropriate to level I. The ability to respond critically and analytically to the issues and debates in question. The ability to analyse, compare and form interpretations of different styles of film. Broad knowledge of different periods, genres, theoretical concepts and modes of analysis in French cinema from the 1920s to the present. On successful completion of this unit, students will be able to demonstrate: 1.
Offer the opportunity to undertake close sequence analysis and broader critical analysis of secondary material.Expose students to theoretical texts in English and French on film form, aesthetics, authorship, gender and spectatorship.Explore important movements, styles and aesthetic trends in French cinema from the 1920s to the contemporary period.Develop an understanding of different historical and theoretical approaches to the study of French cinema by engaging with a selection of work by established and emerging directors.Introduce students to an array of French films and enable students to develop a solid understanding of key concepts in film theory and analysis.Secondary readings will be in English and French and students will be expected to follow a number of French-language films. Students will develop a solid understanding of the basic principles of film theory while furthering their skills in critical thinking, oral presentation and close analysis. Films will be explored with reference to their socio-political contexts and students will be encouraged to engage with theories of spectatorship, narrative style, aesthetics and wider debates on issues such as representations of gender, sexuality, class and ethnicity. Areas of study are expected to include 1920s French avant-garde cinema, Poetic Realist cinema, New Wave cinema, women’s filmmaking, the cinéma du look and banlieue/ beur films. A broad range of cinematic approaches, concepts and critical perspectives will be explored through the study of set films and theoretical texts. This unit will introduce students to different periods, genres and styles of French cinema, beginning in the 1920s and moving through to the present. Please see the current academic year for up to date information. Please note: you are viewing unit and programme informationįor a past academic year.
0 kommentar(er)
